Mark Croxford and Adeline Guy Interview
Monochrome stripes, pixels and retro hues trace the curved forms in The Arch Window at Southwark. 'Spring' combines the sense of colour, pattern and shape that is typical of Mark Croxford’s rhythmic sculptures. His interest in contemporary art and design seemed a perfect match with Adeline Guy...
Toby Ziegler The Alienation of Objects Review
According to Ziegler it is impossible to fully convey the characterizations of a particular object. Therefore, rather than try to depict its every aspect, the artist considers an object only in terms of its geometric shape and volume. What results are large-scale three-dimensional structures, made entirely from inter-connecting polygons, and which are purposefully reminiscent of...
Rory Buckley Interview
Rory Buckley’s installations combine sculpture, performance, movement and space, as well as, an explosive curiosity for the boundaries of sound. After exhibiting in Southbank’s Royal Festival Hall earlier this year, STYX Project presents his first solo show in London...
Serena Korda – Ask For Dust
As part of her latest piece, Laid to Rest, Serena Korda is asking the public for their dust. With it she intends to make 500 bricks, which will be piled into a stack and displayed as part of the Wellcome Collection's forthcoming exhibition Dirt: The Filthy Reality of Everyday Life. I interviewed the artist, to...
Rachel Kneebone: Lamentations 2010 Review
This latest offering from Rachel Kneebone demonstrates how there can be fluidity in solidity, eroticism in death, and delicacy in the grotesque. These porcelain sculptures, inspired by Ovid’s Metamorphosis, reveal to us the ultimate fragility of mortal bodies and remind us that stability of form is a comfortable illusion.
Polly Morgan Psychopomps Review
Animals have had a bit of a tough time in modern art. They have been dissected and submerged in formaldehyde by Hirst, impaled to a wall by Kounellis, squashed and frozen by Collishaw. Now Polly Morgan is getting in on the act, skinning, slicing and stuffing her victims in the name of art. Morgan, who...
Anish Kapoor Turning the World Upside Down
The artist himself was said to have spent weeks deciding were each of the sculptures would sit...
Joana Vasconcelos I Will Survive Review
Haunch of Venison has been taken over; from the top of its high ceilings to the curves of its archways and the crevices of its fireplaces, the place has been crocheted and knitted, cloaked in textiles and fabric, transformed into a colourful and strange wonderland. The artist behind the transformation is Joana Vasconcelos, a woman...
London Fieldworks – Spontaneous City in the Tree of Heaven
Consisting of over 250 bespoke wooden bird and bug boxes, the installation is influenced by Georgian-style architecture...
The New Décor Review
Much about Neto's work is light and playful; his trademark polyamide tulle fabric that stretches gauze-like across, above and under you...
Oscar Tuazon My Mistake Review
Tuazon has created a piece of architecture inside an established piece of architecture...
Yinka Shonibare Nelson’s Ship in a Bottle
A ship in a bottle is the latest in a long and interesting series of commissions to sit atop the fourth plinth...
