Gilbert & George: The Urethra Postcard Art Review
It has been twenty years since Gilbert & George last exhibited postcards and forty years since they first worked in the medium. In this show the pair return to the medium, and rework their familiar preoccupation with the underbelly of contemporary society, using the finite space of the postcard to celebrate the degenerate, discarded, grotesque...
Rachel Kneebone: Lamentations 2010 Review
This latest offering from Rachel Kneebone demonstrates how there can be fluidity in solidity, eroticism in death, and delicacy in the grotesque. These porcelain sculptures, inspired by Ovid’s Metamorphosis, reveal to us the ultimate fragility of mortal bodies and remind us that stability of form is a comfortable illusion.
Christian Marclay The Clock Review
The Clock is, true to its name, a time telling device, but it isn't so much a clock as a film that tells the time. And it doesn't have one dial, but hundreds, it doesn't have two pairs of hands but thousands. The Clock takes the form of a grandfather clock, a pendulum, an alarm...
